All are warmly invited to join the Reconciliation Action Plan Committee at St Kilda Baptist Church to celebrate the annual Aboriginal art exhibition from Galiamble and Winja Ulupna.
The artists are currently participants at the local Aboriginal drug and alcohol recovery centres based in St Kilda – Galiamble and Winja Ulupna. This annual event offers the participants in these programs the opportunity to exhibit and sell their paintings. Artworks will be available for sale on the night at affordable prices (under $150) – cash sales only with all proceeds going to the artists. Sold paintings can be collected at the end of the night.
Your support is greatly appreciated.
Inspired by ancient and continuing traditions of spiritual contemplation, and curated by artist and academic Dr Rebekah Pryor, holy, honest confluences considers the complex personal and communal relationships between humans, and between humans and other living beings and things, in order to respond to the following key questions:
What does it mean to be autonomous (that is, self-determining)?
What does it mean to belong to a community (that is, a group of living beings that comprise, for example, a household, a family, a love relationship, an ecosystem, a neighbourhood, a religious community, a species, etc.)? What does this belonging look/feel like? And, what does it mean to not belong?
Is it even possible to be autonomous and belong? If so, what might this look/sound/feel like?
At a time when complex legal, ethical and social questions concerning communities (for example, religious communities and their relations to power and ‘freedom of thought, conscience and religion’ more broadly, culturally and linguistically diverse communities and their multiple histories, and ecological communities challenged by present and imminent climate change impacts) challenge and implicate us all, holy, honest confluences returns us to our own bodies and relations in search for answers.
More details here.
Dr Rebekah Pryor has issued a callout to ‘artists (professional and established or emerging) working in any mode or medium, from any background, cultural, social or political context, and out of any religious tradition or none’ to contribute to an exhibition exploring ‘complex personal and communal relationships between humans, and between humans and other living beings and things’. Details here.
During 2018, Adamstown Uniting Church played host to the Altar/d Art Installation series curated by Rod Pattenden, who is also the minister of the Church situated in Newcastle, NSW. The title of the series was a play on the words ‘altar’ and ‘alter’, and invited responses about change, transformation, and hope. Six artists were chosen to display work in the body of the church and to take on its architectural form while continuing the interests of their own practice. In this video, Rod Pattenden highlights the features of each artist’s work and the responses they found among the ‘congregation’ of viewers. The video was produced by John Cliff.